Fees charged by NYSO only cover a part of our costs. NYSO relies on the generosity of all those who have supported us and continue to support us, in many cases, for a number of years. This helps us not only with our running expenses but also more importantly in providing bursaries to allow students to take part regardless of background or means. This is fundamental to our ethos and something we are determined to maintain. Many thanks to all of you.
If you would like to join our supporters and contribute to NYSO’s continuing success, there are various ways to do this:
Become a Friend – please see below.
Become a bursary supporter. Please contact us and we would be delighted to discuss this further.
Friends of NYSO
Yearly subscription to Friends of NYSO is only £25 a year.
By subscribing to NYSO you will be supporting extraordinary young talent.
Becoming a Friend of NYSO will give you the opportunity to receive advance notice of concerts and ticket sales, along with NYSO’s annual Friends newsletter, keeping you up to date with the orchestra and its activities.
Make a Donation
Please contact us directly to make a donation to NYSO.
Sponsors of NYSO's 2019 concerts:
Thomastik Infeld Vienna
Norsk Musikforlag A/S, one of Scandinavia’s leading independent sheet music publishers, based in Oslo, Norway was founded on 1 January 1909 and today boasts a catalogue of approximately 16,000 printed editions; with subsidiaries the total number is some 20,000. In addition to offering music by Norway’s leading composers for over a century the Norsk Musikforlag catalogue today includes works by an increasing number of internationally renowned composers from abroad. Norsk Musikforlag A/S publishes sheet music for a wide variety of instruments, as well as teaching material and music books.
"NYSO residencies are some of the main highlights of my year and I absolutely love making music with other musicians my age and particularly enjoy the full string orchestra sound and repertoire. The tutors were fantastic, giving us insights into playing and posture as well as the specifics of the pieces. The full rehearsals were extraordinary: the amount of work and depth we went into in the pieces was more than anything I’ve ever done."